So he passed and starred in the largely forgotten action-thriller “Bad Company." According to Quentin Tarantino, this decision also cost him Samuel L. It might be a great part, but he’d be sharing the screen with a then washed-up John Travolta. So when a juicy part in a bizarre ensemble flick called “Pulp Fiction” hit his reps’ desks, they told him to turn it down. Laurence Fishburne had more than proved himself throughout the 1980s with exceptional performances in “The Cotton Club," “School Daze” and “Gardens of Stone." After his blazingly brilliant turn in “King of New York," he landed the role that changed his career: Ike Turner opposite Angela Bassett’s Tina Turner in “What’s Love Got to Do with It." Career-wise, it was go time, and Fishburne deservedly wanted to be a leading man. Seven years later, a humbled Caruso returned to television as the star of the terrible but popular “CSI: Miami." It all eventually worked out, but it didn’t have to be such a hard road (and there might’ve been an Emmy in it for Caruso had he stuck with “NYPD Blue”). Had he held on, he might’ve become one of the highest-paid actors on television instead, he bolted the show to take $1 million for the starring role in Barbet Schroeder’s remake of “Kiss of Death” and (reportedly) $2 million to $3 million for the co-lead (alongside Linda Fiorentino) in William Friedkin’s “Jade." Both films bombed, effectively ending Caruso’s bid for stardom. “An Officer and a Gentleman," “First Blood," “King of New York”) before breaking through in the fall of 1993 as the star of Steven Bochco’s edgy new cop drama, “NYPD Blue." The show’s destiny was clearly ensemble, but Caruso was the first season’s hunky hook, which, to his mind, meant he was due a raise for the second season. The red-haired David Caruso plugged away for a solid decade as a character actor in a string of mostly good to great movies (e.g.
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